Friday, July 29, 2011

A Cinematic Top Ten... Er Seven: Christopher Nolan Edition

I have found in my cinematic travels through Middle Earth, Oz, and beyond that I thoroughly enjoy movies with ambiguity amongst the protagonists and antagonists. At times, this confusion bleeds into moral ambiguity. I prefer the former over the ladder, because discussions of morality get too intense and off the point. I like when traditional "bad" or "good" characters are not necessarily as they seem.

The example I most often use to illustrate this point is one of my top, if not favorite, characters in film history: Hannibal Lector. He is obviously a deplorable human being full of violence, cannibalism, and severe psychological problems. But in the Silence of the Lambs, he acts as a guide for the protagonist, though with heavy pseudo-sexual overtones that not only confuses Clarice Starling, but the audience as well. While he is disgusting and horrific, he is still an essential piece in finding and killing Buffalo Bill, a serial killer on the loose. Hence the protagonist/antagonist line blur.